xxiv, 200 pages : 22 cm +

Music in Egypt provides an overview of the country's rich and dynamic contemporary musical landscape. It offers an in-depth look at specific Egyptian musical traditions, paying special attention to performers and the variety of contexts in which performances occur. The book acknowledges the pervasive presence of Islam by focusing on two Muslim performance genres and by considering the age-old issue of the compatibility of music and Islam. It accomplishes the latter by incorporating the voices of many of the performers featured on the accompanying CD. The volume features a variety of musics that reflect and help to create a number of distinct regional, national, and community identities co-existing in Egypt today. Drawing on more than twenty years of extensive fieldwork, Scott L. Marcus offers detailed ethnographic documentation of seven performance traditions found in Egypt today: the call to prayer; madh, a genre of Sufi religious music; southern Egyptian mizmar folk music; early twentieth-century takht -based art music; music by the acclaimed singer Umm Kulthum, which dominated the mid-twentieth century; wedding procession music; and music by the current superstar pop singer Hakim. The book is packaged with an 80-minute audio CD containing excellent examples of each tradition. All of the examples are based in a single melodic mode--maqam rast--to best engage students with the musical form, structure, and practice of the traditions. Separate educational tracks on the CD introduce maqam rast and the variety of rhythms found in the CD examples. In addition, the CD features a special solo improvisation (taqasim) in maqam rast by UCLA professor Ali Jihad Racy, to help students better understand this particular melodic mode. Enhanced by eyewitness accounts of performances, interviews with performers, listening examples, and song lyrics that enable students to interact with the text, Music in Egypt provides a unique and hands-on introduction to the country's diverse and captivating music--Publisher description

Includes bibliographical references (pages 183-195) and index

The call to prayer : a communal endeavor -- The Eastern Arab medodic modes : the Maqāmāt -- Madḥ : a genre of Sufi religious music -- The Eastern Arab rhythmic modes -- Upper Egyptian folk music for weddings and festivals : Mizmār ensembles -- Islam and music : is music Ḥarām? -- Art music of the late-nineteenth/early-twentieth centuries : Takht ensembles -- Art music of the mid-twentieth century : Umm Kulthūm and the long-song tradition -- Zaffa (wedding procession) music -- Present-day pop music : Ḥakim and the Shaʻbī and Shabābī genres

plus-circle Add Review

comment

Reviews